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Yu-nan, who took a role of a drummer in director Shin’s debut film, is preparing a solo album. Shin gives her a camcorder used in her film Passerby #3 and asks her to take a selfie. One day the camcorder that Shin lent to Do-yeon arrives. In the box, there was a documentary of her daughter she shot. Shin wonders who were the first woman to hold a movie camera in Korea.
