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In fall 2007 the Women's Film Festival Seoul issued a call that did not promise, like the pirate queen Madame X, "gold, love, and adventure," but something as tempting as the opportunity to film a 15-minute short in Korea, which, assembled as one of six parts of an omnibus production, would open the 10th festival in 2008. I signaled my acceptance and voilà: SEOUL WOMEN HAPPINESS.
